I respond to opportunities found in glass through the use of crushed glass powders and frits. I work with sifters, brushes, spatulas, and stencils. I combine and play off of existing and implied patterns found in nature and in the anatomical structures of the human form. A rich and varied play between positive and negative shapes are explored, whereby contrasting values, textures and patterns are woven together in an orchestration of subtle optical effects and nuances.
In progress detail that shows the process of layering and working with powdered glass (frit).